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Published: Nov 3, 2011
Category: Rock
Unless you're hard-core, what you know about Warren Zevon is that he wrote “Werewolves of London” and some song that had the line “send lawyers, guns and money,” and that he contracted an incurable form of cancer and made a final record and, in the fall of 2003, died.
Well, he was charming. Witty. Ironic. Self-deprecating. Not qualities often associated with rock stars. But then, Zevon was the son of a minor Los Angeles gangster; he knew his way around people.
More to the point, he was talented. Across the board, and at the highest level. He wrote great lyrics. He wrote great music. He was The Compleat Package. The bookend, in 1976, to Jackson Browne.
And it is to 1976 that we turn, on the theory that first releases are often the best releases --- the purest expressions of talent and ambition. [To buy “Warren Zevon” from Amazon, click here. For the MP3 download, click here.]
There are eleven songs on this CD. Most are love songs, though the love is bent all out of shape.
As here:
She's so many women
He can't find the one who was his friend
So he's hanging on to half her heart
He can't have the restless part
So he tells her to hasten down the wind
Well, I met a girl in West Hollywood I ain't naming names
She really worked me over good
She was just like Jesse James
She really worked me over good
She was a credit to her gender
She put me through some changes,
Lord Sort of like a Waring blender
Naturally, the man who endures these women has what might be called a tragic viewpoint:
I'd lay my head on the railroad tracks
And wait for the Double "E"
But the railroad don't run no more
Poor, poor pitiful me
And then there's a gospel choir, singing “Look away...” But if you listen closely, they're singing “Look away down Gower Avenue...” --- that beautiful choral sound is an invitation to look down a grotty Los Angeles Street. You feel the inspiration and get the humor all at once; emotions wash together, and you realize you're in the presence of a presence.
Warren Zevon knew that a little sincerity goes a long way. In this CD, made before fame pushed his tongue further into his cheek, he had just the right amount. He'd go on to make other, bigger-selling CDs, but this one's the keeper, the desert island disk, the reason to wish he was still here.